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When Dorothea and William dance to music by the Talking Heads, William places the tonearm's needle on the first track, but the song that plays, "The Big Country", is actually the last track on the album shown, "More Songs About Buildings and Food". Abbie (Gerwig), Dorothea's avant-garde lodger interjects; "yeah, but it's like they don't care.

See more » The scene feels remarkably familiar – Dorothea (Bening), the matron and saint of a Santa Barbara household circa 1979 leans in on her son Jamie (Zumann) listening to "Fairytale in the Supermarket" by The Raincoats. They got all this feeling but don't have the tools they need to express it it all comes out as passion." Dorothea fixates on Abbie's intonation, like listening to language she's only now grasping. Much like Abbie's defense of The Raincoats, Dorothea believes she has all the passion to be a proper mother, but she lacks the right tools to support a son who is growing older with each passing moment.

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While most might pigeonhole Dorothea as a madcap eccentric or worse a passive pushover, Bening wisely lets the character's inner strength shine through. She invites strangers to dinner, invites herself to punk clubs, leaves early, and then comes back days later alone.

She verves uncomfortably with post-sexual revolution mores yet she quietly takes frank conversations about menstruation in stride.

The ignorance of a free spirit against the needs of a young man trying to find his true character and beliefs.

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A New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband's historic legacy.

A teenage girl with nothing to lose joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.

"I had Jamie when I was 40." Dorothea says; a fact that can help explain Dorothea's free-range parenting approach, but also helps explain why Jamie's sharp insights cut so deep.

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